Last week Paste declared their 25 Documentaries of the Decade. To be honest it was a bit of a disappointingly obvious list, in terms of safely including most of the biggest docs of the decade. Every film on their list is a great documentary but there were also a great amount of other films that possibly should have seen a mention.
I tried to limit to 25 but it's just impossible. This isn't necessarily in any order, I hate the idea of saying one is better than the other, especially when you're talking 10 years of filmmaking and also the sheer ...
Top 15 Documentaries of 2009
1. Antoine
(Laura Bari, Canada, 2009) - website - trailer
As usual I couldn't stick to convention and pick 10 or 20, but this is the list that just appeared when I began writing down the documentaries I've loved most this year. I know there are some big films missing but there are a few that I haven't had a chance to see (Collapse, Objectified and Best Worst Movie being three in particular that I'm itching to get hold of.)
As with the decade list this isn't in any order, I still can't bring myself to do that. All of these films I ...
Research Process: Clip – Encounters at the End of the World
My friend, and filmmaking partner, Jemma has set me the task of showing her documentaries she hasn't seen so that we can look at visuals and filming techniques for a documentary we are currently in the research stage for. Jemma has largely always focused on current affairs TV docs, as that is her main area of interest, and has little knowledge when it comes to feature documentaries. I don't see this as a bad thing and it means I get a chance to re-watch a lot of films I love, so I've begun trying to think of particular films or ...
Remembering Dennis Stock
Magnum Photographer Dennis Stock sadly died today.
Stock started his career as an apprentice to Life magazine photographer Gjon Mili and joined Magnum in 1951. Although best known for his intimate portraits of James Dean he was also a prolific Jazz photographer taking some of the most iconic Jazz portraits in history for his book Jazz Street. in 1968 he founded the production company Visual Objectives and shot several documentaries but returned to Magnum to serve as president of Magnum's film and new media division in 1969 and 1970. Stock generated a book or an exhibition almost every year since the ...
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It was kinda inevitable that I would love this as it’s Four Tet, but his collaborations can be a bit hit and miss. This, however, is perfect and is definitely one of my favourite songs this year. Nevermind the incredible video. Watch it, love it.
In my constant quest to figure out why certain people are drawn to certain documentaries I realised that I’m not as familiar with music documentaries as I’d like to be. So I have set out to try and watch as many as I can and to end up with an list of the best made so far.
Most people I’ve spoken to so far, especially those who don’t really watch documentaries, all had a favourite music doc and so there seems to be an established audience for them. This year alone Anvil and It Might Get Loud have been very successful commercially and I’m really intrigued by the different methods and styles filmmakers use to make music documentaries.
Out of the 30 I have managed to get my hands on I’ve seen 14 and so there are 16 (in bold) left to watch.
Sign O’ the Times
Stones in the Park
The Jazzman from the Gulag
Nico Icon
Monterey Pop
New York Doll
Gimme Shelter
Ziggy Stardust and the Spiders from Mars
My Louis Armstrong Years
The Last Waltz
Only the Strong Survive
I am Trying to Break Your Heart
Standing in the Shadows of Motown
Kurt and Courtney
Dave Chapelle’s Block Party
Anvil
The Devil & Daniel Johnston
Scratch
Fearless Freaks
DiG
Screamers
Golden Days
Hated
End of the Century
Don’t Look Back
Buena Vista Social Club
The Filth and the Fury
Stop Making Sense
American Hardcore
Moog
If I have missed any (which I undoubtedly will have) please let me know in the comments.
Pitchfork and DiS (ish) have made their end of decade lists. To fuel my own love of making playlists I gave it a go and began, thinking it would be a swizz. How wrong I was. This has been a great decade for music and at times I had to ask for help, partly due to my non-existant memory and also because a ceiling fell on my computer midway through the decade and wiped my i-tunes. This is not a counter-list to theirs, they have a far more music knowledge than me, it’s a smattering of songs I adore and those that have meant a lot to me over the last 9 1/2 years. I have been completely honest so inevitably there’s the odd suspect choice in there.
The list is in no order other than the one I wished to listen to it in, but just to throw it out there my favourite songs (again in no order) of this decade are I Feel It All by Feist, I Will Possess Your Heart by Death Cab For Cutie, Recurring by Bonobo (from the Live Sessions ep), Hey Ya! by Outkast, Romantic Rights (Love From Below Re-edit) by Death From Above 1979, The Weight of My Words (Four Tet Remix) by Kings of Convenience and, the most likely contender for No. 1 were I forced to choose, She Move She by Four Tet.
nb. One thing this undertaking showed me was that it seems I tend to like the first song from albums. Strange.
1. Broken Social Scene – Windsurfing Nation
2. Built to Spill – Goin’ Against Your Mind
3. Hot Hot Heat – Talk To Me, Dance With Me
4. Bloc Party – Like Eating Glass
5. Friendly Fires – Jump in the Pool
6. Jamie Lidell – When I come Back Around
7. Feist – I Feel It All
8. Jimmy Eat World – Salt Sweat Sugar
9. The (International) Noise Conspiracy – Let’s Make History
10. Panic At The Disco – But It’s Better If You Do
11. Weezer - This is Such a Pity
12. Muse – Supermassive Black Hole
13. Rilo Kiley – Portions For Foxes
14. Mates of State – Goods (All In Your Head)
15. Modest Mouse – The View
16. Say Anything – Admit It!!!
17. Death From Above 1979 – Romantic Rights (Love From Below Re-edit)
18. Alkaline Trio – Private Eye
19. At The Drive-In – One Armed Scissor
20. Rage Against The Machine – Renegades of Funk
21. The Roots – Seed (2.0)
22. Head Automatica – Beating Heart Baby
23. Handsome Boy Modeling School – If It Wasn’t For You
24. Four Tet – She Move She
25. The Shins – Sleeping Lessons
26. Cinematic Orchestra – Man With A Movie Camera
27. Battles – SZ2
28. The Books – All Bad Ends All
29. Phoenix – Girlfriend
30. Cat Power – He War
31. Hanne Hukkelberg – Do Not As I Do
32. Grizzly Bear – On A Neck, On A Spit
33. The Postal Service – Clark Gable
34. Kings of Convenience – The Weight of My Words (Four Tet Remix)
35. Death Cab For Cutie – I Will Possess Your Heart
36. Bonobo – Recurring
37. Blink-182 – I Miss You
38. Queens of the Stone Age – In The Fade
39. The Streets – Same Old Thing
40. Dilated Peoples – Pay Attention
41. Hymie’s Basement – 21st Century Pop Song
42. Mos Def – Umi Says
43. Talib Kweli – Get By
44. Dead Prez – Hip Hop
45. Gnarls Barkley – Crazy
46. LCD Soundsystem – Disco Infiltrator
47. RJD2 – Good Times Roll Pt. 2
48. Amerie – 1 Thing
49. The Rapture – House of Jealous Lovers
50. Yeah Yeah Yeahs – Dance With The Night
51. Foals – Hummer
52. Pretty Girls Make Graves – Speakers Push the Air
53. Art Brut – Good Weekend
54. CSS – Let’s Make Love and Listen to Death From Above
55. DJ Vadim – Terrorist
56. Tom Vek – I Ain’t Saying My Goodbyes
57. Outkast – Hey Ya!
58. Christina Aguilera – Aint No Other Man
59. Youngblood Brass Band – The Movement
60. The Dead 60s – Riot Radio
61. Justice – Phantom
62. Destiny’s Child – Lose My Breath
63. The Walkmen – The Rat
64. Deftones – Knife Prty
65. Mice Parade – Sneaky Red
66. Kelis feat. Andre 3000 – Millionaire
67. Coconut Records – Nighttiming
68. Cut Copy – Feel The Love
69. Yeasayer – Sunrise
70. TV On The Radio – Staring At The Sun
71. Sia – Academia
72. Beirut – Mount Wroclai (Idle Days)
73. Thom Yorke – Black Swan
74. Animal Collective – My Girls
75. Hot Chip – Shining Escalade
76. Sufjan Stevens – Chicago
77. The Whitest Boy Alive – Don’t Give Up
78. Pharrell feat. Jay-Z – Frontin’
79. Psapp – Happy Lamb
80. Regina Spektor – Après Moi
81. Zero 7 – In The Waiting Line
82. Why? – The Vowels Pt. 2
83. Ben Folds – The Ascent of Stan
84. The Gossip – Don’t Make Waves
85. Daft Punk – Aerodynamic
86. Madcon – Beggin’
87. DJ Shadow feat. Mos Def – Six Days – Remix
88. Justice vs. Simian – We Are Your Friends
89. Soulwax – E Talking
90. Peaches – Tombstone, Baby
91. MGMT – Kids
92. Fingathing – You Fly Me
93. Ratatat – Lex
94. Radiohead – Everything in It’s Right Place
95. Caribou – Bees
96. Justin Timberlake – What Goes Around
97. Ed Harcourt – She Fell Into My Arms
98. Yo La Tengo – Pass The Hatchet, I Think I’m Goodkind
99. Boards of Canada – Dayvan Cowboy
100. Explosions In The Sky – First Breath After Coma
Painfully absent are the following that haven’t yet made it onto Spotify:
Supersystem – Miracle
Plantlife – When She Smiles She Lights the Sky
Minus the Bear – Fine + 2pts
The Sea and Cake – Sound and Vision
Mice Parade – Focus on the Rollercoaster
Evil Nine feat. Aesop Rock – Crooked
!!! – Me and Guiliani Down By The Schoolyard
Arcade Fire – Neighbourhood #3 (Power Out)
Prefuse 73 – The Color of Tempo
Why? – 500 Fingernails
Fingathing – Drunken Master 2
edIT – Ashtray
Electric President – Insomnia President
Ben Gibbard – You Remind of Home
I have to say I was a little apprehensive about going to a festival on my own, I envisaged myself standing in amongst thousands of people and taking to no-one for three days. Luckily my pessimism was proved wrong and I had the best festival experience I have ever had.
Pitchfork is a fairly small festival but it just gets it right in every way (I am told the only downside was the drinks queue, but I managed to avoid that). Within 10 minutes of arriving I had befriended an incredibly cool photographer from Yahoo Music called Taleen. After seeing her disappear into the photo pit for Yo La Tengo I knew I should probably get my press pass sorted, which luckily I did.
The next morning I dashed to a photography wholesalers and persuaded them to lend me a lens, which was tricky as I didn’t have the required $2000 spare on my credit card as a deposit… gulp, but they were kind and let me loose with one. Photographing a festival was one of the toughest things I have ever had to photograph. You are limited to the first three songs, and combined with ever changing light and the scrum of the other photographers, if you aren’t used to photographing fast you will be after.
Seeing bands from the photo pit was incredible, you are obviously closer than anyone else, but with a zoom lens you view the band from an almost intimate perspective. I tried to photograph everything, and although that meant missing the rest of a set, I saw many more bands than I would have done.
My partner in crime, Taleen
For some reason Taleen and I had also been given VIP passes and so we got to spend our time backstage. It was very different to what I was expecting. Obviously better toilets and free booze (although I do not recommend Sparks, alcoholic-lucozade certainly keeps you going, but you feel very strange in the morning). Taleen loved approaching people in bands and set about talking to anyone and everyone, I’m awful at remembering who people are and this worked in my favour as I didn’t become a blithering idiot. I did manage to maintain my ability to say daft things at the worst times but I think (hope) my accent allowed me to get away with it.
There were a few bands that I was more excited about getting to see so close, rather than taking their picture, and Grizzly Bear were definitely one of those. There was a brief panic when my camera ran out of battery (amateur, I know) but I had also taken my Pentax film camera and bizarrely those ended up being the photos I like the most.
Flaming Lips was certainly an experience.We knew they would be the hardest to photograph as the scrum would be the most competitive. Taleen wasn’t really up for it but I was too curious to miss it and dragged her over. The first set of photographers had been let and and there were hundreds of them squished into the few metres the photographers get. We were held back and told that everyone was only getting one song. We obviously missed the ‘one song’ that included Wayne Coyne coming out onto the stage through a backdrop of a woman with her legs open in his trademark bouncy ball and out onto the crowd. However it was a great sight to see and when we finally got in I was thankful that we only had the one song as the previously courteous photo pit had turned into a feeding frenzy with elbows being thrown left, right and centre. Although I am not a huge Flaming Lips fan, they certainly put on a show and the atmosphere they created was the perfect way to end the festival.
If you are more interested in reading about the bands than my daft experience see below:
It was wonderful being back in Chicago, I managed to have nearly two days either side of the festival and was taken to the most amazing places to eat by my Chicago-an friend Kevin. Hopefully the line-up for Pitchfork will be as good next year and I can hotfoot it over there again.
The rest of my photos are in this fancy slideshow below:
Welcome to In One Eye, Out the Other! My name is Charlotte and this is my blog for anything and everything that I love/like and an ongoing portfolio of my work.
I'm 26 and have spent 20 of those years in education, studying a large range of things from Media Technology to Graphic Design, Photography, Motion Graphics, Web Design, New Media and most recently an MA in Documentary.
I'm a filmmaker and photographer and I watch, write about and programme documentaries.
I live in London with a very large old cat, Henry, who is quite partial to ham sandwiches.
My First Film
I've finally had the time to start re-editing the film so a new version will be up again soon. The film is a portrait of Hunstville, Texas which is home to the Texas Department of Criminal Justice and the state execution chamber. It looks at the love/hate relationship the residents have with their greatest employer and the stigma of the executions.
The production diary here
and stills from the shoot are here