The festival made it into the Guardian Guide with a really nice little write up.

Last week Paste declared their 25 Documentaries of the Decade. To be honest it was a bit of a disappointingly obvious list, in terms of safely including most of the biggest docs of the decade. Every film on their list is a great documentary but there were also a great amount of other films that possibly should have seen a mention. I tried to limit to 25 but it's just impossible. This isn't necessarily in any order, I hate the idea of saying one is better than the other, especially when you're talking 10 years of filmmaking and also the sheer ...
1. Antoine (Laura Bari, Canada, 2009) - website - trailer As usual I couldn't stick to convention and pick 10 or 20, but this is the list that just appeared when I began writing down the documentaries I've loved most this year. I know there are some big films missing but there are a few that I haven't had a chance to see (Collapse, Objectified and Best Worst Movie being three in particular that I'm itching to get hold of.) As with the decade list this isn't in any order, I still can't bring myself to do that. All of these films I ...
My friend, and filmmaking partner, Jemma has set me the task of showing her documentaries she hasn't seen so that we can look at visuals and filming techniques for a documentary we are currently in the research stage for. Jemma has largely always focused on current affairs TV docs, as that is her main area of interest, and has little knowledge when it comes to feature documentaries. I don't see this as a bad thing and it means I get a chance to re-watch a lot of films I love, so I've begun trying to think of particular films or ...
Magnum Photographer Dennis Stock sadly died today. Stock started his career as an apprentice to Life magazine photographer Gjon Mili and joined Magnum in 1951. Although best known for his intimate portraits of James Dean he was also a prolific Jazz photographer taking some of the most iconic Jazz portraits in history for his book Jazz Street. in 1968 he founded the production company Visual Objectives and shot several documentaries but returned to Magnum to serve as president of Magnum's film and new media division in 1969 and 1970. Stock generated a book or an exhibition almost every year since the ...
I’m really proud to be able to announce the Frontline Club’s Capturing Conflict Film Festival. The festival is something I have been working on for months and I really hope the lineup showcases a selection of the most important films about the risks journalists and filmmakers take in order to get their stories out.
The festival begins on the 7th September and the listings are below, for a more in-depth description of the films please visit the club’s main listings page here:
Tortured Truths – September 4, 7pm – book
Followed by a Q&A with Director and Producer Christine Garabedian
Russian Newspaper Murders – September 7, 7pm – book
Followed by a Q&A with Director Paul Jenkins
Death in Gaza – September 10, 7pm – book
Followed by a Q&A with Reporter Saira Shah
Unseen Gaza – September 14, 7pm – book
Followed by a Q&A with Jon Snow and Director Katherine Churcher
Somalia: Al-Qaeda’s New Haven – September 24, 7pm – book
Followed by a Q&A with Director James Brabazon
Cry Freetown – September 25, 7pm – book
Followed by a Q&A with Writer, Reporter and Cameraman Sorious Samura and Director Ron McCullagh
Mo & Me – September 28, 7pm – book
Followed by a Q&A with Salim Amin
I would be incredibly grateful if you could help us promote the film festival on your website or blog. Please use the code below to add the festival banner to your site.
There has been HUGE controversy over Jay-Z headlining at Glastonbury this year. To the point where people have boycotted the event, and it was even blamed as the reason the festival didn’t sell out for the first time in years.
It had really been bugging me as I really couldn’t see what everyone’s problem was. I had always seen Glastonbury as the festival that didn’t lean to one particular music genre, they have had Kylie and Shirely Bassey in recent years, and even had Neil Diamond this year. Nevermind that tickets usually sell out before the line-up is announced. Wasn’t this the festival that was just as much about the experience as the line-up?
I’m very much determined by the line-up so haven’t really ever considered Glastonbury (which is usually a stupid move as they tend to have anyone and everyone I’d want to see) and so didn’t even think about it this year. To be honest when I heard Jay-Z was playing I regretted that decision. What an inspired choice, I thought.
Then the criticism began and I really was shocked by it and couldn’t figure it out. If it had been a festival such as Download that is aimed at particular music fans I would’ve understood. Why were people so bothered? I was a little ashamed of this reaction of a demographic I supposedly belong to, are we youngsters really that narrow-minded?
I’ve been thinking about it for a few days, is it that it’s hip hop?, surely it can’t be as Lupe Fiasco and Dizzie Rascal, both playing this year, haven’t had any backlash. And if an act like DJ Shadow had been billed no-one would’ve minded, perhaps even Kanye West would’ve been accepted.
Is it what Jay-Z represents, are Glastonbury fans against someone with that lifestyle, wife, and bank balance? Is this just absolute snobbery? I think that’s the most plausible reason.
Amy Winehouse got it right when she asked ‘where the black people were’ during her performance, a point that no-one seems to mention, that festivals essentially attract middle-class white kids, also rarely remembered that the biggest buyer of most hip-hop are white kids. She also was incredibly positive about Jay-Z as was Beth Ditto during her set. It was great to see that at least the fellow performers could go beyond the ignorance.
And then he performed, I really suggest you watch the set as it’s simply amazing. As despite the reported critical reception the crowd is enormous and everytime he pauses the entire crowd fills in the lyric, I couldn’t be more proud to see all the naysayers proved wrong.
I’ve been meaning to post about this for ages, but it was one of those things I’d always remember when I was a far away from a computer.
Anyway The Economist make the best print adverts.
The first one is by far my favourite, when I first saw it I had to cut it out and put it up in our flat. It’s so wonderful

They have started doing some other really creative advertising campaigns on other mediums but the print ads, in my opinion, continue to amaze.
Below and example of their non-print ads
One of the older ads, there are a lot more, all fantastic